Human drama

From the Bully Populist: a review of Sweetpea

Rhiannon is mousy, drab, quiet, with tragic anime eyes, a woman who the world treats, not with contempt, but with utter indifference. The viewer will cringe at the careless cruelty with which the world treats her, buttressed by flashbacks to her school years when she was terrorized by an uncaring bully. She suffers loss in her personal life and humiliation at work at her local small-town newspaper.

But don’t worry: she finds a hobby late in the first episode. She stabs a bully to death. It’s amazing how a horrific crime that happens on the spur of the moment can brighten your day.

A Puzzling Event of Turns: a review of Ludwig

Ludwig is a six-part series about John “Ludwig” Taylor, a reclusive author of puzzles who has to come and investigate the sudden disappearance of his identical twin brother, James, a DCI (detective) for the Cambridge Police Force. “Ludwig” is John’s nom de plume for the books of puzzles he creates. He’s on the spectrum in much the same way ultraviolet is, and so is his missing brother, although the later is a bit better socialized, with a job dealing with others and a wife and teenage son. Both attended Cambridge University.

A Cuppful of Klews: a review of The Residence

The Residence is superficially your standard locked-room murder mystery. SPOILER: It was Colonel Mustard, in the Conservatory, with a Candlestick. OK, there IS a candlestick in the series, but it isn’t the murder weapon. And since the locked room is in fact the White House, there may well be a conservatory. There is a fairly large gardeners’ shed.

Television coming of age: a review of Adolescence

Adolescence is a four part series about a thirteen year old boy who is accused of knifing a female classmate, Katie Leonard, to death. It’s not much of a spoiler to say that he did commit the crime, as the viewer is presented with incontrovertible evidence late in the first episode.

Each episode is filmed in a single shot sequence, a remarkable accomplishment in itself. West Wing, famed for its single-shot sequences, never managed more than 17 minutes. By doing it this way, director Philip Barantini throws away most of the usual narrative and plot tropes seen in such shows and replaces it with something far more realistic and compelling.

Brain donors: a review of Brain Works

This is a Korean sitcom, which means that where the science is at times problematic, it never descends to the level of bat-science. You’ll learn a lot more valid neuropsychology and the physiology of brain functions than you ever learn from Oz or any of the other pop “doctors” on American television. And yes, behind the comedy is serious, deadly drama.

A Bit of a Wicked Sticky: a review of The Sticky

The Sticky is “The absolutely not true story of the Great Canadian Maple Syrup Heist.” If that disclaimer sounds familiar, think “The names have been changed to protect the guilty.” It’s not the only element that will remind you of the classic Coen Brothers’ movie, Fargo. It has the same recipe of idiosyncratic characters caught up in an increasingly absurd and violent web of insane circumstances—and like Fargo, it is howlingly funny and utterly unforgettable.